Lily Gris

Between the sweet purple repleteness of Iris Ghalia and the animalic roar of…

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Description

Iris is one of my many obsessions. But those who know me know the love I have for lilies.

The challenge is that while iris offers you an actual extract to work with, lily – much like gardenia – is a subject of great craft and imagination.

And imagination is where the perfumer truly abides.

It’s easy to put out a scent pyramid that reads like one of a million bucks, but to evoke gardenias out of jasmine and tuberose, to craft the perfect ambergris accord or to give sandalwood the heft and volume of rose – these are different matters altogether.

There are two types of lilies in perfumery. One of them is the woodland lily-of-the-valley.

The other is my great love, famously presented to you in avant-garde self-destructive fashion in compositions like Mystical Lotus and Blue Kalbar.

But while Mystical Lotus was full-on blue lotus, the secret to this composition was to strip the blue lotus of its blue and turn it toward the valley – this requires the same olfactory feat that mutes the purple facets of iris and turns them white. 

Here, the hedonistic carnality of the blue butteriness of the water lily must sacrifice itself to give life to its unattainable terrestrial counterpart – the docile, ever-flirtatious, never-attainable lily of the valley.

A rendezvous where that inimitable beauty of the valley’s ethereal grace and fleetingness melts into the narcotic buttery accord of blue, also known as nymphaea caerulea (only the most beautiful aromatic could be named nymph of the waters).

Lily Gris Perfume by Ensar Oud

This meeting of blue and blanc gives you the Lily – but what about the Gris?

You can’t dismiss aphrodite. Ancient Egyptians couldn’t resist the narcotic aphrodisiacal quality of blue water lilies, and neither could I. 

As a perfumer, you start to wonder: Civet and orange, cumin and musk, oud and rose, the tantalizing touch of a lily and… what?

In Yemen, ambergris is consumed for sexuality. It’s heated and infused into teas and drank for… you know what. 

So, what could be more apt (and rapt!) than to let our nymphs escape the pond and freely bathe in a sensual pool of sunshine, sea salt, and iodine!

If lily and ambergris were not the weak spot of this perfumer, I would have called this my Japanese plum blossom incense installment, in line with Iris Blanc and Yamanashi.

Smell Lily Gris closely and you discover that this isn’t only a special place between the pond and the ocean, but that those delicate lilies are donned in the plummy facets of kneaded Japanese incense. Beachcombed white juxtaposed with royal vault vintage grey punctuated by Japanese plum and a zen aesthetic throughout. 

The Japanese aesthetic is one of complication in simplicity. Overstatement via understatement. 

With this in mind, imagine you’re attending a kodo sitting and those plummy facets of the incense slowly get fractured through a prism of mauve Pinoy resin and pale beachcombed white to create a pristine periwinkle.

Imagine those sweet indigo notes dipped into a pond of sinking-grade Leyte gyrinops and aquilarias that give lift to the ambergris dancing with blue nymphs of unmistakable purity, all of which – not so coincidentally – give birth to the perfect plum blossom neriko accord…

… this psychedelic is not one I like to microdose on, if you know what I mean.

If you want a lily ghalia, this one is not for you. Between the sweet purple repleteness of Iris Ghalia and the animalic roar of an EO musk, Lily Gris is a scent of immaculate sophistication, elegance, and total zen.

Is Lily Gris so singular so as for it to be the only lily-themed ambergris in all of perfumery, kind of like Iris Ghalia is the only iris-centric musk? Or will this become a trend? 

I wouldn’t be able to tell you because I’m in a field of lilies and the only thing to follow me here is the gentle breeze from the coast carrying upon it the salty savor of the ocean.

*The sinking-grade Abu Yog oud that’s in here alone is worth $850. Plus, by the time you take into account the discount and complimentary tester of Knightsbridge which a 50ml bottle purchase will automatically receive, you’re practically getting the perfume on the house.

Featured Testimonials…

It’s been a year since this beautiful fragrance came out. Since then I’ve been wearing it with joy and sniffing the bottle way too often. It’s a magical aroma, fusing ambergris with blue lotus, rose and other flowers all embedded over Japanese incense. Simple to wear but mindblowing execution and to strengthen it all there’s the Abu Yog oud. A wonderful filipino oud. A little bit like burnt wood giving some smoke away, stays earthy and harmonizes with the ambergris and incense incredibly well.

Simplicity at its best.

—Home L

This one is the most unique… I don’t think I’ve ever encountered something that smells like this. I would have loved to come to know this beautiful scent over many years of wearing it on special occasions as I love dense floral compositions. This is another fragrance that suits my personal tastes perfectly. A tart, semi-sweet plum in the opening is quickly joined by pastel-coloured florals. The floral landscape is really the star of the fragrance, tremendously lush and airy. It has a doughy, smooth, periwinkle tone, and even as early as 10 minutes in a haze of kodo incense was joining the fray. It is extremely unique. The only thing I can compare it to style-wise is Mystical Lotus in that I consider both to be masterful uses of lush florals even though they smell very different. Very luxurious, smooth, balanced, powerful.

—Renzo C / Canada
It starts with a heavy dose of florals and a slightly creaminess. The lotus is very strong and adds a slightly soapy touch to the sweet notes of orange and plum blossom.
 
The ambergris combined with the blue profile of the abu yog oud compliments the floral bouquet with a nice oceanic breeze.
 
It started quite soapy (probably the lotus) but it got sweeter and sweeter the more it dried down. After a while you’ll notice how everything melts together into a nice incense like smell of sweet and salty aromatics.
 
That’s just my first impression, I still have to give it a full wear and spend some time with it but the single spray on my arm was already a super intense experience.
—Chris A / Germany
Spectacularly beautiful. Delicate but I don’t mind that. Springlike freshness in a bottle, I think of white light dappling over water, hints of jasmine and violets within the lily. Orange and plum blossom impressions amongst the white and blue.
 
Visions of purity, of luck, humility and kindness with a little something more peppered in – it’s a genius move honestly – as Lily always seems to carry that just very slight subtle dirty quality amongst its purity, and the turn towards the peppery oud creates a similar but novel (in my opinion more enjoyable) note. The cooling quality of the oud again just adding to the bliss, my goodness.
 
Ensar writes about how perfumers work in the imagination, and I’m floored at what he brings here as the accord for lilies of the valley. Exalted, yet soft, buttery and fleeting. Very zen, very beautiful. The ambergris melts in perfectly, where its strongly there but also a part of the whole, it shows itself more fully during the drydown. Gorgeous incense floral for a refined palate.
 
Unisex in how a luxury spa is unisex. A nice lunch on a yacht. Like the lapel of a groom in white tie. Love Lily Gris.
—Chano V / UK